מדריך פרומפטים Kling O1 — עורך המציאות

Begin exactly on the first frame: the raw concrete construction site. End exactly on the last frame: the finished interior. One continuous locked-off shot from a fixed tripod position — the camera never moves, time does.

TRANSFORMATION SEQUENCE: Construction dust hangs in the cold air, drifting slowly. As it settles, every surface it touches resolves into its finished material — dust lands on the floor and becomes oak parquet spreading outward; it brushes the walls and smooth warm plaster blooms upward; it settles on rough openings and glass crystallizes into frames. Furniture fades in with soft settling weight, in place, never sliding. The cold blue site light gradually shifts to warm golden interior light as pendants ignite one by one.

TIMING: Slow, majestic, continuous — one clear wave of completion moving through the space from foreground to background.

NEGATIVE: no camera movement, no people, no text, no logo, no warped walls, no bent lines, no flickering materials, no abrupt jumps between states.

SOURCE LOCK: Preserve @Video1 exactly — camera movement, composition, timing and every object's position. Only the rendering style of the world changes.

TRANSFORMATION: A hand-drawn wave moves through the frame from the far end of the room toward the camera. Ahead of the wave, the world is the fully photoreal filmed interior. Behind it, the same world becomes a warm architectural hand sketch — confident graphite lines on textured ivory paper, light watercolor washes for material tones, visible construction lines and small handwritten dimension marks. Every piece of furniture keeps its exact position and outline; the sketch is precise, professional, elegant — the drawing of someone who can really draw.

TIMING: The wave crosses the entire frame over the full duration, reaching the camera in the final second so the last frame is 100% sketch.

AUDIO: Keep original ambience, gradually mixing in soft pencil strokes as the sketch takes over.

NEGATIVE: no camera changes, no childish or cartoon linework, no warped perspective, no text other than tiny dimension marks, no logo, no flicker between styles.

SOURCE LOCK: Preserve @Video1 completely — the exact handheld camera motion, walking pace, shake, turns, room geometry, window light and original framing. This must still feel like the same phone video.

TRANSFORMATION: Furnish and finish the empty apartment according to @Image1. Add flooring, painted walls, furniture, lighting, curtains and styling into the correct rooms as the camera passes through them. Every object sits with correct perspective, scale and contact shadows, anchored to the floor — nothing floats, nothing slides.

CONTINUITY: Objects that appear in one pass remain identical if the camera returns to them. Reflections in windows and mirrors update to include the new furniture.

ATMOSPHERE: Keep the original daylight direction; warm it slightly, as if the home is already lived-in and loved.

NEGATIVE: no camera smoothing, no layout changes, no people, no text, no logo, no floating furniture, no scale errors, no flicker.

SOURCE LOCK: Preserve @Video1 camera path, timing and the walking motion. Keep the person from @Image1 identical — same face, hair, outfit, body proportions.

SCENE: The old worn apartment stays exactly as filmed — faded walls, tired floor, flat daylight. But inside the large mirror, the reflection shows the same room fully renovated according to @Image2: warm oak, sculpted lighting, perfect styling. The reflection mirrors the person's movement precisely, one world in two states.

ACTION: As the person reaches the mirror, they extend a hand; the surface ripples softly like vertical water. They step through. The camera follows through the ripple — and we are now inside the renovated apartment from @Image2, warm and glowing. The person turns back: the mirror now reflects the old apartment behind them.

CAMERA: Continuous single move following @Video1, then a slow settling push-in after the crossing.

NEGATIVE: no identity change through the mirror, no warped reflection geometry, no bent architectural lines, no text, no logo, no extra people.

SOURCE LOCK: Preserve @Video1 completely — camera path, speed, layout, furniture, materials. Nothing physical changes; only time and light.

TRANSFORMATION: Over the course of the clip, daylight fades smoothly from bright afternoon to deep blue dusk outside the windows. As it fades, the designed lighting plan switches on in three distinct, deliberate groups, matching the mood of @Image1:
GROUP 1: concealed cove and shelf lighting — a soft warm architectural glow tracing the ceiling lines.
GROUP 2: decorative pendants and table lamps — warm pools of light over the island and seating areas.
GROUP 3: narrow accent spots — precise beams grazing the stone wall texture and highlighting the art.

Each group ignites with a gentle bloom, casting physically correct light, soft shadows and warm reflections on wood and stone. The final frame is the full night scene: layered, warm, cinematic.

NEGATIVE: no camera changes, no furniture changes, no flicker, no blown-out highlights, no colored disco light, no text, no logo.

SOURCE LOCK: Preserve @Video1 exactly — camera motion, room geometry, windows, daylight direction and timing.

TRANSFORMATION: Transform the cluttered lived-in apartment into a professionally staged home. Remove all clutter: piles, cables, papers, laundry, crowded surfaces, personal photos. Keep the good bones — replace tired furniture with clean well-proportioned staging pieces in a warm neutral palette (per @Image1 if provided): tailored sofa, light oak coffee table, simple styled shelving, fresh bedding, two or three plants, a large calm artwork. Surfaces become clean and breathable; beds are made hotel-crisp; curtains hang straight.

LIGHT: Same daylight, slightly lifted and airier, as if the windows were just cleaned.

CONSISTENCY: Every staged object stays identical whenever the camera sees it again. Correct scale, perspective and contact shadows throughout.

NEGATIVE: no layout or architecture changes, no camera changes, no people, no text, no logo, no floating objects, no sterile-empty look — staged, not vacant.

SOURCE LOCK: Preserve @Video1 exactly — camera path, speed, timing, room layout, wall positions, window locations, door openings and lighting direction. The architecture does not move.

TRANSFORMATION: Restyle every visible surface and furnishing to match the style of @Image1. Replace flooring, wall finishes, furniture, lighting fixtures, curtains, rugs and decor with equivalents in that style — same positions, same approximate scale, new identity. Keep the function of each piece: sofa stays a sofa, dining table stays a dining table.

CONSISTENCY: Materials remain stable across the entire clip — no flickering textures, no morphing furniture. Straight architectural lines stay straight.

CAMERA: No added movement. Follow @Video1 frame by frame.

NEGATIVE: no layout changes, no new walls, no removed windows, no people, no text, no logo, no texture flicker, no warped geometry.

GOAL: Generate the reverse angle of the same moment captured in @Video1 — the camera now inside the room, facing the people as they see it for the first time.

IDENTITY LOCK: The people match @Image1 and @Image2 exactly — same faces, hair, clothing, heights. The room behind the camera's new position matches @Image3 and stays consistent with everything visible in @Video1.

ACTION: Mirror the timing of @Video1: they step through the doorway together, stop at the same beat, and react — eyes widening, a hand to the chest, an incredulous laugh, turning to each other. Genuine, warm, slightly overwhelmed. Natural body language, no theatrical acting.

CAMERA: Medium shot from inside the room, slow gentle push-in toward their faces as the emotion peaks. Soft window light from the same direction as the original scene.

AUDIO: Room tone, a soft gasp, quiet emotional laughter.

NEGATIVE: no identity drift, no changed outfits, no extra people, no inconsistent room details, no text, no logo, no exaggerated cartoon reactions.

SOURCE LOCK: Preserve the speaker from @Video1 perfectly — face, expressions, lip movement, gestures, hair, clothing, and the original audio. The person is untouched; only the environment changes.

TRANSFORMATION: Replace the plain wall behind the speaker with four different real interiors, switching in clean instant cuts at four evenly spaced beats:
SEGMENT 1: the living room from @Image1.
SEGMENT 2: the kitchen from @Image2.
SEGMENT 3: the bedroom from @Image3.
SEGMENT 4: the office from @Image4.

INTEGRATION: In every segment, relight the speaker subtly to match the environment — warm window light, cool evening tone, pendant glow — with correct soft shadows and a hint of environmental reflection on their shoulders. Depth of field keeps the speaker sharp and the interiors softly, expensively blurred.

NEGATIVE: no identity or lip-sync changes, no green-screen halo, no lighting mismatch, no warped rooms, no text, no logo, no background people.

REFERENCE ROLES: Borrow from @Video1 ONLY the camera language — movement paths, speed ramps, cut rhythm, framing choices and overall energy. Do NOT copy its content, location, people or objects.

NEW CONTENT: The subject is the interior project defined by @Image1 (and @Image2 if provided) — its exact materials, furniture, lighting and atmosphere. The new film moves through THIS space using the borrowed camera rhythm: if @Video1 whips, we whip through the new living room; if it punches in on a beat, we punch in on the new stone island; if it holds, we hold on the new hero corner.

CONSISTENCY: The project's identity stays locked — same materials, layout and light throughout every cut. Straight architectural lines remain straight even during fast moves.

AUDIO: Energetic modern beat matching the borrowed cut rhythm, with subtle whoosh accents on fast moves.

NEGATIVE: no content leaking from @Video1, no people, no text, no logo, no warped geometry during speed ramps, no motion blur smearing the materials beyond recognition.